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X-WR-CALDESC:Events for Georgina Brett
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20250920T200000
DTEND;TZID=Europe/London:20250920T230000
DTSTAMP:20260502T090156
CREATED:20250619T100554Z
LAST-MODIFIED:20250818T164513Z
UID:2777-1758398400-1758409200@www.georginabrett.co.uk
SUMMARY:Duet with Flooded Access at Ealing Extranormal
DESCRIPTION:Georgina will perform at September Ealing Extranormal with Flooded Access (aka Martin Lau) \nA monthly showcase for sonically adventurous experimental music in West London in association with OPEN Ealing. \nAdvance tickets £12*. Tickets are non-refundable. \n£15 on the door. \n*We have a number of free guest passes for those unable to pay the price of admission (no questions asked). Please contact the organisers directly through this page\, one per applicant. \nThere is no bar\, so please bring your own refreshments. \n  \nThis edition features: \nOpen Union \nOpen Union is an experimental music duo made up of composer-performers\, Peter Bell (modular synthesiser) and Patrick Ellis (electric guitar) who are based in Birmingham and London. \nDescribed by the treasured composer Howard Skempton as being\, ‘sometimes subtle and unstable; sometimes rich and dense’\, the duo aims to build up strong collaborative relationships to create new verbal and text based works. Their current collaborators are Christine Cornwell\, Wilson Leywantono\, May Chi\, Paolo Griffin and Seán Clancy. \nhttps://openunionmusic.wordpress.com/ \nMOX Salnikov & Daniel Vincent \nTwo long-time collaborators finally stepping into the spotlight together after releasing an album. Their fusion of power ambient and noisecore is a bold sonic terrain: atmospheric yet abrasive\, meditative but volatile. Apocalyptic undertones add a cinematic edge\, like the soundtrack to a crumbling utopia… but with just enough light to keep it from tipping into despair. \nhttps://moxsalnikov.bandcamp.com/album/new-stars-of-melancholia \nhttps://www.facebook.com/moxsalnikov/ \nhttps://www.facebook.com/danielvincentmusic \nGeorgina Brett & Martin Lau (Flooded Access) \nGeorgina studied undergraduate music at Edinburgh University under Peter Nelson and Nigel Osborne. \nSince 2003 she has explored the territories of the voice and delay pedals making collages of vocal sound\, usually non verbal. In 2012 Georgina began Tuesdays Post : Live Progressive Ambient in order to create a platform for artists who explore acoustic instruments and electronics. \nMusician and visual artist Martin Lau’s sound work explores improvised music and soundscapes\, often drawing on the atmospheric vastness of outer space and the deep sea. For this collaboration with Georgina he will be using only woodwinds and percussion\, focusing on acoustic textures and interplay. He performs under the name Flooded Access\, and curates the monthly experimental music showcase Ealing Extranormal. \nGeorginabrett.co.uk \nhttps://linktr.ee/martin.lau \nNelson Rocha \nRøcha is a multi-instrumentist artist who blends electronic elements with traditional instruments in an alchemy of dark elektronika\, folk and experimental all happening in a moment of improvisation and reaction to breathing space of each performance environment.He is also part of the duo @corpusreplica\, a ceremonial alternative folklore project with elements of electronic music and hermeticism with their self titled album released last October. \nwww.instagram.com/rocha_etherealstrains
URL:https://www.georginabrett.co.uk/calendar/duet-with-flooded-access-at-ealing-extranormal/
LOCATION:Open Ealing\, Open Ealing Arts Centre\, Unit 14\, School Lane\, Dickens Yard\, London\,\, Open Ealing Arts Centre\,Unit 14\, School Lane\, Dickens Yard\,\, London\, W5 2TD
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20250712T190000
DTEND;TZID=Europe/London:20250712T230000
DTSTAMP:20260502T090156
CREATED:20250619T100105Z
LAST-MODIFIED:20250619T100204Z
UID:2774-1752346800-1752361200@www.georginabrett.co.uk
SUMMARY:Berlin Live-looping Festival
DESCRIPTION:The festival is over 2 days\, Georgina will be featured on Saturday 12th July.
URL:https://www.georginabrett.co.uk/calendar/berlin-live-looping-festival/
LOCATION:Schnittstelle\, Neue Bahnhofstr. 1\, Berlin\, "Schnittstelle"\, Neue D-10245\, Germany
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20250629T180000
DTEND;TZID=Europe/London:20250629T193000
DTSTAMP:20260502T090156
CREATED:20250619T095625Z
LAST-MODIFIED:20250619T095625Z
UID:2768-1751220000-1751225400@www.georginabrett.co.uk
SUMMARY:Song Tide - An Entrained Journey into Stillness with Craniosacral Biodynamics and Immersive Vocals
DESCRIPTION:Please bring a yoga mat or camping mattress and a blanket for comfort. \nHoward Evans \n‘During this journey you will benefit from a quality of touch\, attention and presence developed over 30 years of study\, practice and teaching.’ Howard \nCraniosacral Biodynamics works with the concept of lifeforce expressed as Long Tide\, the energy field in which we all dwell\, unawares. The aim of this journey is to bring everybody into an entrained awareness of that shared energy field. \nHoward has been working as a Body Oriented Therapist since 1992 specialising in Craniosacral Biodynamics. He has demonstrated\, through the use of electroencephalogram (EEG)\, the power of craniosacral biodynamics to rapidly drop people out of an aroused beta state into deep peace. \nhowardevans.co.uk \nGeorgina Brett \n‘The aim of this immersive vocal sound is to compliment and deepen the group experience of therapeutic touch as the therapist moves to each participant.’ Georgina \nGeorgina has been working with live voice and electronics since 2003. She has performed extensively in London and has toured to USA\, Germany\, France\, Italy and Spain. Much of Georgina’s work is non-verbal. Non-verbal vocals naturally evoke a meditative state due to the lack of language which allows the linguistic centre of the brain to rest. Coupled with quadraphonic technology\, the spatial element deepens the meditative immersion. \ngeorginabrett.co.uk
URL:https://www.georginabrett.co.uk/calendar/song-tide-an-entrained-journey-into-stillness-with-craniosacral-biodynamics-and-immersive-vocals/
LOCATION:Happenstance Gallery\, 334\, Old Street\, GLR\, EC1V 9DR\, United Kingdom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20250605T203000
DTEND;TZID=Europe/London:20250605T223000
DTSTAMP:20260502T090156
CREATED:20250529T130850Z
LAST-MODIFIED:20250529T131554Z
UID:2759-1749155400-1749162600@www.georginabrett.co.uk
SUMMARY:A concert of Improvised Music
DESCRIPTION:Adam Bohman – prepared strings & objects\, Douglas Benford – melodica & percussion Iris Colomb – voice megaphone & objects and Georgina Brett – Oboe\, melodica & digital horn \nAdrian Northover – soprano Sax and Sue Lynch – tenor sax and clarinet \nTom Jackson – solo clarinet \nShould be a lovely evening\, donations welcome
URL:https://www.georginabrett.co.uk/calendar/a-concert-of-improvised-music/
LOCATION:The Royal Albert\, 460 New Cross Rd\, London\, GLR\, SE14 6TJ\, United Kingdom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20250427T153000
DTEND;TZID=Europe/London:20250427T160000
DTSTAMP:20260502T090156
CREATED:20250507T083401Z
LAST-MODIFIED:20250619T094137Z
UID:2752-1745767800-1745769600@www.georginabrett.co.uk
SUMMARY:Psyche Tropes Three-day Residency
DESCRIPTION:Georgina Brett is a composer\, vocal live-looper and event organiser\, founded Tuesdays Post : Live Progressive Ambient in 2012 and has curated a number of multispeaker concerts in London and worked on many ambisonic and surround sound compositions. Since 2003 Georgina has explored the territories of the voice and delay pedals making collages of vocal sound\, often but not always non-verbal. She continues to innovate and develop her live vocal collages including transferring outboard live techniques to computer based programs and 3D Ambisonic spatialisations.
URL:https://www.georginabrett.co.uk/calendar/2752/
LOCATION:Project Divfuse\, Unit14\, Tilia Rd\, London\, E5 8JB\, United Kingdom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240929T140000
DTEND;TZID=Europe/London:20240929T200000
DTSTAMP:20260502T090156
CREATED:20240919T092736Z
LAST-MODIFIED:20240919T092736Z
UID:2506-1727618400-1727640000@www.georginabrett.co.uk
SUMMARY:Improvisation Festival at Tin Tabernacle\, Kilburn
DESCRIPTION:Georgina Brett plays at 5.45pm\, whole programme 2.15pm – 7.35pm
URL:https://www.georginabrett.co.uk/calendar/improvisation-festival-at-tin-tabernacle-kilburn/
LOCATION:Tin Tabernacle\, 12-16 Cambridge Ave\, London\, GLR\, NW6 5BA\, United Kingdom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240927T200000
DTEND;TZID=Europe/London:20240927T230000
DTSTAMP:20260502T090156
CREATED:20240919T092042Z
LAST-MODIFIED:20240919T095447Z
UID:2504-1727467200-1727478000@www.georginabrett.co.uk
SUMMARY:Xolo
DESCRIPTION:Octophonic night hosted by Xolo \n \nFriday 27th September 2023 \n7pm-11pm At \nThe Bath House\, \n80 Eastway\, Hackney Wick\, London E9 5JH \nThis event brings together musicians and visual artists to explore the merging of human presence with digital processes. In a world shaped by technology\, adding a bit of flesh is irresistable. Using body scans as visual material\, the performance reflects on the innate pull to reintroduce the human form into digital spaces. It examines how technology\, while driving us into new territories\, still calls for traces of the physical—an ever-present reminder that we are human. This evening is an interrogation on the increasingly intertwined relationship between human beings and the tools we create\, offering a space to consider how technology both shapes and is shaped by us. \nGeorgina Brett \nGeorgina Brett is a composer and event organiser. After studying an MA in Electroacoustic composition under Jonty Harrison she went on to produce cd’s of binaural recordings from eco-festivals. In 2003 she began making vocal live-looping collages/improvisations/compositions and has composed many albums exploring a range of ideas and musical challenges for mono-choir. She began Tuesdays Post : Live Progressive Ambient in 2012 to promote artists creating music on the cusp of electro-acoustic and ambient styles. Having gained a fascination for surround sound spatial music at undergraduate level she has curated a number of multispeaker concerts in London over the years. Since 2017 Georgina has enjoyed performing live vocal-looping and on the oboe in improvised music ensembles\, including many duos and trios at various London arthouse venues and performing in The London Improvisers Orchestra. \nEdward I have run the XOLO event series for the past 6 years at various venues. I am also currently part of the AMOENUS team and a member of the Infinite Monkeys\, where I misbehave. I also perform as OLO. For this event I will be making noises and eating bananas live alongside \nMonkey Rob. \nMonkey Rob Member of the Infinite Monkeys collective. Architect\, DJ\, Field Recording Aficionado\, Speeches Excerpts Devotee\, and Sound Artist. Also running POSITIVLAND record label. His favourite bananas are always from Canary islands. After a thorough grooming\, the insulation value of his pelt increases by as much as 50 percent. Monkey Rob will be available for adoption\, please consider adopting Monkey Rob\, and bring him to your home after the show. Feel free to feed Monkey Rob during the show\, he will be very grateful to receive a banana\, or even a gin and tonic \nBlackhawk::N471v3 \nBlackhawk::N471v3 Andrea Esther Kerecsen\, a mostly London based programmer and artist\, “infected and corrupted” by the live events industry. Living behind the scenes\, working in the shadow on heavy backends and backlines\, but sometimes the pull of the spotlights are too hard. Blackhawk::N471v3 is a project name\, connecting the ancient past with modern days\, making scaffolds\, structures\, patterns\, manifolds to use\, visuals to listen to\, soundscapes to watch. Tonight is not an invitation. Its a journey through weird dimensions and weird lives\, following the echoes of tomorrow. Old pieces and shards in new\, sharp\, cutting light. Dancing on nerves and bones\, exploring the void. We are on the track. Destination: unknown. \nSzIO \nSzIO (aka Krisztian)\, is a sound artist who’s been living and breathing East London’s inspiring atmosphere and contradictions for the last 10 years\, going as Szl0\, organically weaves together live improvs\, tape recordings and chopped elements to build a textured soundscape. Soak up the thick\, dark bass-lines layered with micro percussions and melodic synth waves. An industrial dissonant landscape is created\, and is still under creation\, using guitar pedals as an effect. \nLiqvitsky \nLiqvitsky emerged from the dissolution of reality\, a narrative-driven audiovisual collective from North London. The artist traverses the territory between recorded and synthetic sound\, and exploits tension between free form and sequencer. Liqvitsky assembles field recordings into rhythmic patterns\, wrings haphazard sounds out of loops\, and draws the signal through a tangle of randomising and mutilating effects. The result is as unpredictable as voices in the crowd. Liqvitsky refers to his output as sonic prose. \nMerkaba Macabre \nMerkaba Macabre is a multimedia project by Steven McInerney\, combining film\, digital projection and sound spatialisation to create experimental films\, live performances and installations. McInerney’s work draws upon dichotomous energies\, meditating between the sacred and profane. Live performances utilise multi-channel and real-time feedback systems\, employing a structuralist methodology that values error and reappropriation. From here\, speculative narratives take form\, often blurring the lines between science and fiction. McInerney is the founder of Psyché Tropes\, an interdisciplinary platform for media archaeological research and publication\, with a monthly radio programme on Resonance 104.4 FM. \nEgle Saka \nEgle Saka\, a London-based graphic and video artist\, with a creative practice in analog aesthetics\, and new media art. She captures the nuanced textures within glitches\, noise\, and manipulated audio-visual signals\, inviting contemplation of imperfections’ beauty. Her portfolio spans analog and digital video\, sound art\, site-specific projections\, and live audio-visual performances. Holding a BA degree in visual arts and printmaking\, she produces graphics\, album covers\, and print designs. Additionally\, she does video editing\, analog visual effects\, and produces experimental music videos and visualizers for various global record labels. Egle’s work is featured in experimental art venues like IKLECTIK\, New River Studios\, and esteemed galleries such as Saatchi and Jealous\, both in the UK and internationally. \nVytautas Niedvaras \nVytautas Niedvaras is a London-based visual artist and creative technologist focusing on interactive moving images. As the co-founder of Distance Anatomy\, he specializes in real-time motion capture\, networking\, and visualization\, enabling synchronized performances and interactive storytelling across distances. \n  \n  \n  \n 
URL:https://www.georginabrett.co.uk/calendar/the-bath-house/
LOCATION:The Bath House\, The Bath House\, 80 Eastway\,\, London\, Select a region\, E9 5JH\, United Kingdom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240901T080000
DTEND;TZID=Europe/London:20240901T223000
DTSTAMP:20260502T090156
CREATED:20240919T092923Z
LAST-MODIFIED:20240919T092934Z
UID:2510-1725177600-1725229800@www.georginabrett.co.uk
SUMMARY:London Improvisers Orchestra
DESCRIPTION:First Sunday of the month London Improvisers Orchestra. \nNew St Mary Church\, Stoke Newington \n  \n 
URL:https://www.georginabrett.co.uk/calendar/london-improvisers-orchestra-3/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240706T193000
DTEND;TZID=Europe/London:20240706T220000
DTSTAMP:20260502T090156
CREATED:20240919T091900Z
LAST-MODIFIED:20240919T091900Z
UID:2501-1720294200-1720303200@www.georginabrett.co.uk
SUMMARY:Tuesdays Post : Live Progressive Ambient at 100 Years Gallery
DESCRIPTION:Tuesdays Post presents a night of solos\, duos and a trio :\nElif Yalvaç\, Jono Podmore and Georgina Brett \nDoors 7.30pm | music 8.00pm | £10/£8 conc contactless and cash otd \nElif Yalvaç (née Hazal Elif Yalvaç) creates music using an array of instruments mainly with guitars and software design tools. Her music has received international acclaim including reviews in The Guardian\, and The Wire\, alongside features and broadcasts including WDR and BBC. Her works embrace opposites: microsound glitches and slow builds; celestial beauty and abrasive energy. Elif collaborates with others extensively\, including her avantgarde metal project Diaries of Destruction and her album Green Drift with Expert Sleepers (September 2022). Her most recent works include collaborations with various artists from Nordic countries with Möller Records. Her latest album “Vection” was released in April 2024 by the Amsterdam-based experimental music label Moving Furniture Records under the Eliane Tapes series dedicated to Eliane Radigue. Elif holds an MA degree in Sonic Arts from Istanbul Technical University and regularly delivers workshops and podcasts on electronic music including co-hosting “Talk to the Chip” on Resonance FM with Jono Podmore. Elif teaches electronic music at GSMD in London\, and Electronic Music Composition module at ARU. She is a member of RMA’s Music and/as Process committee. She delivers guitar lessons in local community organisations. She is the curator of the bi-monthly live electronics event series “Heart of Noise Cambridge” at Cambridge Junction. Endorsed by Arts Council England\, Elif is based in the UK with a Global Talent Visa.\nelifyalvac.com \nJono Podmore aka Kumo\n…is Professor of the Practice of Popular Music at the prestigious Hochschule für Musik in Cologne\, Germany. He has been no slouch with his own musical projects\, working under his Kumo alias across multiple releases\, live performances and DJ sets worldwide; collaborating with artists as diverse as Can\, The Shamen\, Jamiroquai\, Metamono\, Swantje Lichtenstein\, Johny Brown and Jhelisa Anderson. The lyrical strains of Podmore’s theremin; his work with writers\, visual artists and in the film industry\, all continue to push boundaries.\nHe’s a regular contributor to music and culture magazines incl. The Quietus\, cowrote and edited the book Jaki Liebezeit (2020) about the master drummer\, and cohosts Talk to the Chip\, a podcast and monthly radio show on Resonance FM. Jono hails from Liverpool and lives with his synths in SE London where he teaches Tai Chi. He is currently writing a major book about drugs and the music industry\, and developing a feature film based on Byron’s epic poem The Giaour. Ongoing projects\, downloads\,\nlinktr.ee/jonopodmore \nGeorgina Brett studied undergraduate music at Edinburgh University under Peter Nelson and Nigel Osborne\, focusing on contemporary music study and techniques. On the strength of her final electronic compositions and her compositional work as music director of the university theatre company Georgina secured a scholarship to The Banff Centre in Canada to study composition and a bursary fund to study MA at Birmingham University under Jonty Harrison. In early 2000’s Georgina worked on a series of binaurally recorded fieldwave CD releases of the environment of eco-festivals and since 2003 she has explored the territories of the voice and delay pedals making collages of vocal sound\, usually non verbal. In 2012 Georgina began Tuesdays Post : Live Progressive Ambient in order to create a platform for artists who explore acoustic instruments and electronics\, focussing on music both eccentric/eclectic/electro-acoustic and also with a sense of aesthetic beauty. Since 2022 Tuesdays Post has hosted 4 spatial audio concerts.\nwww.georginabrett.co.uk
URL:https://www.georginabrett.co.uk/calendar/tuesdays-post-live-progressive-ambient-at-100-years-gallery/
LOCATION:Hundred Years Gallery\, 13 pearson st.\, E2 8 London\, United Kingdom\, London\, London\, E2 8JD\, United Kingdom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240609T153000
DTEND;TZID=Europe/London:20240609T170000
DTSTAMP:20260502T090156
CREATED:20240605T112053Z
LAST-MODIFIED:20240605T112053Z
UID:2479-1717947000-1717952400@www.georginabrett.co.uk
SUMMARY:Georgina Brett and Cos Chapman at Hundred Years Gallery
DESCRIPTION:Georgina Brett and Cos Chapman will be performing a solo set each\, then collaborating for the first time as a duo. They plan to be joined by friends for experimental improvised sounds and electronica. \n \nGeorgina Brett is a composer and event organiser. After studying an MA in Electroacoustic composition under Jonty Harrison she went on to produce cd’s of binaural recordings from eco-festivals. In 2003 she began making vocal live-looping collages/improvisations/compositions and has composed many albums exploring a range of ideas and musical challenges for mono-choir. She began Tuesdays Post : Live Progressive Ambient in 2012 to promote artists creating music on the cusp of electro-acoustic and ambient styles. Having gained a fascination for surround sound spatial music at undergraduate level she has curated a number of multispeaker concerts in London over the years. Since 2017 Georgina has enjoyed performing live vocal-looping and on the oboe in improvised music ensembles\, including many duos and trios at various London arthouse venues and performing in The London Improvisers Orchestra. \nWhat does Chat GPT have to say about Cos Chapman?\nCos Chapman is a London-based musician\, sound artist\, and educator renowned for his diverse creative pursuits. With a background bridging science and the arts\, Cos’s musical journey is marked by innovation and collaboration. Currently Artist in Residence at Hundred Years Gallery he has been performing each month with The Librarian creating soundscapes for communal drawing. Each performance lasts 60 to 90 minutes and each has been quite different\, using different equipment\, and employing self made instruments and electronics. Cos delves into improvised electro-acoustics\, crafting soundscapes for dance\, theatre\, installations\, and film. Noteworthy projects include Lingering Games\, LAMP and Rockinghorse pushing the boundaries of sonic experimentation and cross artform collaboration.  As a co-founder of Rude Mechanicals\, Cos also explores a fusion of more regular music genres\, spanning swamp-blues\, psychedelic-cabaret and post-punk. He has also curated events like Witch of The Gate and Open Jack\, as well as local radio show ‘Cos Play’ providing platforms for experimental music and mixed art-form evenings.
URL:https://www.georginabrett.co.uk/calendar/georgina-brett-and-cos-chapman-at-hundred-years-gallery/
LOCATION:Hundred Years Gallery\, 13 pearson st.\, E2 8 London\, United Kingdom\, London\, London\, E2 8JD\, United Kingdom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240518T070000
DTEND;TZID=Europe/London:20240518T220000
DTSTAMP:20260502T090156
CREATED:20240412T104603Z
LAST-MODIFIED:20240412T104603Z
UID:1930-1716015600-1716069600@www.georginabrett.co.uk
SUMMARY:KONSZTRUKTING SOUNDZ
DESCRIPTION:An evening of improvised electronic and electroacoustic music\n\nEvening #5\n\nTickets: £5 CASH at the door\n\nDoor open: 19:00\nConcert start: 19:30\nConcert end: 22:00\n\nFeaturing Jo Morrison\, Nicky Smith\, Faradina Afifi\, Bettina Schroeder\, Lucia H Chung\, Georgina Brett\, Iris Garrelfs and Tansy Spinks.\n\n\nSet #1 – Jo Morrison\, Nicky Smith\, Faradina Afifi\, Bettina Schroeder\nSet #2 – Lucia H Chung\nSet #3 – Iris Garrelfs & Tansy Spinks\nSet #4 – Georgina Brett\n\nAbout the artists…\n\nJO MORRISON’s deeper interest in extended vocal techniques developed whilst participating in an Experimental Sound Art course at the Mary Ward Centre in 2020. Through lockdown she then joined the Groningen Vocal Exploration Choir online\, which lead to introductions & collaborations with the free improv community in the UK. She has taken part in Maggie Nicols’ The Gathering\, Faradena Afifi’s Noisy Peoples Orchestra\, Sharon Gals SOUND OUT and co-created WHIP-MA-WHOP-MA-GATE with Milana Sarukhanyan\, Iris Garrelfs & Faradena Afifi. She is now a member of The Noisy Women Present\, sometimes performs with the London Improvisers Orchestra\, occasionally joins the Virtual London Improvisation Workshop & thankfully experienced the open mic sessions at SKRONK (New River Studios) before they ended recently.\nhttps://www.noisywomenpresent.co.uk/\nhttps://www.facebook.com/grgnvocalx/\nhttps://www.londonimprovisersorchestra.co.uk/index.html\nhttps://maggienicolscreations.com/the-gathering/\nhttps://www.instagram.com/joannemorrison72/\n\nNICKY SMITH is a singer/songwriter/poet/dancer and noise maker. Over the years she has found herself in many different musical constellations including an experimental noise band\, psychedelic rock\, abstract covers\, choirs and rap. Given the chance she will try to make interesting sounds out of anything and will dance to everything.\n\nBETTINA SCHROEDER has performed spoken word at various poetry and music events\, frequently accompanied by her electric Ukulele or lap steel guitar with FX or/and found objects.\nPerformances at: ‘Paper Tiger Poetry’ at Tea House Theatre\, ‘MOPOMOSO’ event at Vortex Jazz Club’\, CRUNCH’ poetry and exhibition events\,’Molypolyscriptoscribble’ poetry events\, \, London Improvisers Orchestra\, Oooh International Improvisation Festivals\, ‘BOA-TING’ with Steve Beresford\, Neil Marsh’s Vanishing Point at AMP Studios\, Iklectik\, international improv music SKRONKFESTS\, Anna Göldi Museum\, Glarus Switzerland\, Intox Extravaganza and more.\nFor album releases with air play at BBC3\, BBC Introducing\, WFMU New York\, 2BOB Radio\, Australia\, Resonance Radio and others\, see below\nhttps://www.bettinaschroeder.net/\nhttps://open.spotify.com/album/1u3i1MJCujW1DwpPsP8nrR\n-Album UP BEAT by Bettina Schroeder & Xqui – release on Wormhole World label (Featured on BBC introducing) VIDEO sampler: https://youtu.be/3QpcVk5JYpo\n-Album release on Wormhole world records: VERSUS by Jude Cowan Montague & Bettina Schroeder\nVideo sampler: https://www.youtube.com/watch?v=l4ZVIdgNalU&t=79s\n-Album SHATTER RESISTANT by Bettina Schroeder & Tony Irving – original release on Linear Obsessional label (Featured on BBC Radio3\, FREENESS\, Vision Festival\, programme by Corey Mwamba)\n\nFARADINA AFIFI is the founder of The Noisy Women Present\, and The Noisy People’s Improvising Orchestra\, Fara is also an initiator\, connector and performer. Faradena is a person with neurodiversity who has mixed Afghan/British heritage. She is a T’ai Chi Chuan practitioner/instructor\, folk singer and improvising community musician who plays bowed string instruments\, piano and percussion. She also specialises in healing music and T’ai Chi-based exercises for people with learning differences and brain injuries/conditions.\nDuring lockdown 2020\, through jamming online with Maggie Nicols\, Fara joined the Glasgow Improvisers Orchestra (GIO) and the Improvising Ensemble (IE). This led to performing with the London Improvisers Orchestra (LIO)\, and with Maggie Nicol’s Creative Liberation Orchestra in Stockholm 2021 and various musicians since. She co-leads the International Online Improvising Workshop with Tony Hardie Bick\, the online sister of The London Improvising Workshop\, originally started by Eddie Prevost.\nWhen not teaching or performing on stage\, she is out busking with Cambridge musician Banjo Nick.\n\n—-\nLUCIA H CHUNG is a Taiwanese artist based in London\, United Kingdom. She performs and releases music under the alias ‘en creux’ where the sound creation springs from her fascinations in noise generated through no-input feedback mixing board. The volatile nature of the system and the unpredictable glitch from the excessive energy pouring into the equipment becomes her improvisational and compositional strategy.\nLucia’s passion lies in live performance and has regularly performed solo and with collaborators in the UK\, Europe\, Asia and North America\, including Lausanne Underground Film and Music Festival\, Krama Festival\, Lisboa Soa Festival\, Sanatorium of Sound Festival and Festival Electropixel.\n‘Fuzz comes alive\, moving at odd angles like the sinuous threads are being chased by a series of subatomic bleeps and flashes. Tension rises as the tempo picks up\, fueling the disjointed rhythmic quality within each sterile\, self-contained unit.’ – Fox Digitalis\nSocial Media/Links/Hashtags:\nWebsite: www.luciahchung.com\nBandcamp: https://bandcamp.com/encreuxmusic\nFacebook: @lucia.h.chung\nTwitter: @encreuxmusic\nInstagram: @encreuxmusic\nVideo link: https://www.ursss.com/2022/10/en-creux/\n#noinputmixingboard #nimb #noise #experimentalmusic\n\n—————\nGEORGINA BRETT is a composer and event organiser. After studying an MA in Electroacoustic composition under Jonty Harrison she went on to produce cd’s of binaural recordings from eco-festivals. In 2003 she began making vocal live-looping collages/improvisations/compositions and has composed many albums exploring a range of ideas and musical challenges for mono-choir. She began Tuesdays Post : Live Progressive Ambient in 2012 to promote artists creating music on the cusp of electro-acoustic and ambient styles. Having gained a fascination for surround sound spatial music at undergraduate level she has curated a number of multispeaker concerts in London over the years.\nhttps://georginabrett.bandcamp.com/\nhttps://soundcloud.com/georginabrett\nhttps://www.georginabrett.co.uk/\nhttps://www.tuesdayspost.co.uk/\n\n————–\nIRIS GARRELFS works on the cusp of music\, art and technology across improvised performance\, multi-channel installation and fixed media projects\, often using her voice as raw material. Her work has featured in places such as Iklectik\, Café Oto\, Tate Britain\, Hundred Years Gallery\, National Gallery London\, Royal Academy of Arts (London)\, fruityspace (Beijing)\, Palazzo delle Esposizioni (Rome)\, MC Gallery (New York)\, Transmedia Borders (Mexico).\nResidencies have included Grizedale Art\, Institute of Modern Art Celje (Slovenia)\, Onassis Cultural Centre (Athens). With a PhD from CRiSAP (UAL)\, Garrelfs is Senior Lecturer at Goldsmiths University of London\, where she runs the Improvisor Collective and co-heads the Sound Practice Research Unit.\nhttp://irisgarrelfs.com/\n\nTANSY SPINKS is an artist\, photographer\, performer\, live-improviser\, sound and video maker\, Tansy Spinks is currently researching means of listening\, materiality in sound-making and site-specific sound as a live\, performative practice. Her publication Sound Art and Music: Philosophy\, Composition\, Performance (Dack\, Spinks\, Stanovic) is published by Cambridge Scholars Press.\nSound projects include The Lab of Sonic Possibility and Whitstable Biennale fringe events for Sounding Shore\, with Iris Garrelfs\, the Text Scores of Place series\, originally commissioned for a solo show at M2 gallery) The Sound Bureau project space in Brixton\, investigations into Hearing Narratives in literature\, with novelist Adam Lively and\nlive responses to film (at APT gallery\, for Anne Robinson’s film\, The Hurrier\, 2021 and for her current film The Charmers 2023\, with Maggie Nichols and Keith Piper’s film Viva Voce for Tate Britain 2024 and to the paintings of Monica Sjoo at Beaconsfield Gallery\, 2022. She also devised and led the graphic score ensemble for Tom Phillip’s memorial event at the South London Gallery\, 2023\, (for electric violin\, bassoon\, theremin\, toy pianos and objects from Tom’s studio). She is currently a member/participant of the London Improvisor’s orchestra and Eddie Prevost’s London Improviser’s Workshop.\nWith a PhD from LCC\, Fine Art degree\, MA in Photography from the Royal College of Art\, London and a Licentiate of the Guildhall School of Music\, London\, (violin) she is also a Senior Lecturer in Fine Art at Middlesex University and until recently\, PL for MA Fine Art.\nhttps://tansyspinks.com/
URL:https://www.georginabrett.co.uk/calendar/konsztrukting-soundz/
LOCATION:The Fishermen’s Chapel\, 39 New Road\, Leigh-on-Sea\, SS9 2EA\, United Kingdom\, The Fisherman's Chapel\, 39 New Road\,\, Leigh-on-Sea\, Essex\, SS9 2EA\, United Kingdom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240402T193000
DTEND;TZID=Europe/London:20240402T230000
DTSTAMP:20260502T090156
CREATED:20240128T155012Z
LAST-MODIFIED:20240128T160208Z
UID:1793-1712086200-1712098800@www.georginabrett.co.uk
SUMMARY:Tuesdays Post : Live Progressive Ambient
DESCRIPTION:Tuesdays Post : Live Progressive Ambient \nThis will be a fully immersive event with 3 composers writing integrated spatial pieces especially for this unique and state-of-the-art space hosted by Southby Productions. The technology for dissemination around the venue is designed and built by D&B Audiotechnik. \nTuesdays Post has been creating immersive events for many years\, but only in the last few years has precise and user friendly technology been more broadly available.. We are absolutely delighted to have been invited to present our music in this amazing space. \nThis concert night is to showcase pieces that explore the capabilities of the positional sonic rig. The specific compositional tool which develops spatial themes in music – the movement of sound in space – is a musical device which is independent of rhythm\, melody\, harmony or timbre. Without an immersive concert space\, exploring the sonic dimensions of sound in space is not possible. \nOur 3 composers are: \nMerkaba Macabre \nMerkaba Macabre is a multimedia project by Steven McInerney\, operating across musical performance\, installation\, audiovisual\, and experimental film. McInerney’s work draws upon dichotomous energies\, meditating between the sacred and profane. His cinematic work explores psychospiritual tropes and altered perception\, often blurring the lines between science and fiction. His live performances utilise real-time feedback systems to exploit the audience’s awareness within time-based media; pushing the boundaries of perception and the medium itself. McInerney is the founder of Psyché Tropes\, a film company and label exploring the synaesthetic intersections between sound and its visual counterpart. Other collaborative projects include: IOME\, Post Coma and Flying Disks. \n  \nGeorgina Brett \nGeorgina Brett is a composer and event organiser. After studying an MA in Electroacoustic composition under Jonty Harrison she went on to produce cd’s of binaural recordings from eco-festivals. In 2003 she began making vocal live-looping collages/improvisations/compositions and has composed many albums exploring a range of ideas and musical challenges for mono-choir. She began Tuesdays Post : Live Progressive Ambient in 2012 to promote artists creating music on the cusp of electro-acoustic and ambient styles. Having gained a fascination for surround sound spatial music at undergraduate level she has curated a number of multispeaker concerts in London over the years. In 2023 she: spoke on a panel at Sound II Light Festival hosted by Sova Audio\, curated 3\, immersive/ambisonic events at Iklectik\, London\, attended a week-long course learning to use the 4DSOUND sonic rig at Stonenest\, London and has presented a talk and a composition at Gloucester University “Everyday is Spatial” Conference. \nPaul Conboy \nPaul Conboy has been working as a recording artist\, composer\, producer and performer in contemporary music for over 15 years. Formerly as A.P.E\, along with Adrian Corker\, he was signed to Dorado Records in 1994\, a working partnership that included the scores for: BAFTA winning dramas for TV. Paul has worked with Tim Simenon for his Electric Tones label which lead to the resurrection of ‘Bomb The Bass’\, featuring Paul as vocalist and on synthesizer and in 2009 Paul co-founded an analogue electronic collective Metamono with Jono Podmore (Kumo) and fine artist Mark Hill. Adhering to a strict but liberating manifesto Metamono release music on cassette and vinyl with HoHum records\, whilst building a live following with their unique performance events. Currently in Chocolate Hills\, a duo with Alex Paterson (The Orb). Hill and Paterson began with their 2019 debut ‘A Pail Of Air’ on Painted World records. The duo have performed many times since 2019\, including at the Roundhouse\, alongside Leftfield\, GAS\, Ulrich Schnauss and System 7. Their most recent album\, Yarns from the Chocolate Triangle was released on Paterson’s label Obscure Records in 2023. \n 
URL:https://www.georginabrett.co.uk/calendar/tuesdays-post-live-progressive-ambient-2/
LOCATION:All Is Joy\, 75\, Dean St\, London\, W1D 3PU\, United Kingdom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240211T153000
DTEND;TZID=Europe/London:20240211T180000
DTSTAMP:20260502T090156
CREATED:20240128T153435Z
LAST-MODIFIED:20240128T153435Z
UID:1790-1707665400-1707674400@www.georginabrett.co.uk
SUMMARY:Multiple Melodicas
DESCRIPTION:Duo and quintet improvisations: \nMirei Ya – trumpet/movement\nDouglas Benford – objects/harmonium \nOn melodicas for the Multiples: \nSteve Beresford\, Georgina Brett\, Martin Hackett\, David Grundy & Douglas Benford \nDoors 3.30 | music 4pm | £8/£10 donation at the door \n \nMirei Ya\nMirei Ya is a trumpet player\, also employing voice and movement. Mirei is an experienced improvising dancer and an artist who explores memory within body and the movement. Having studied fine art\, trained Butoh and BodyWeather\, through performance\, she explores how we construct and share reality. She is also currently studying neuroaesthetics\, investigating the meaning and role of art creation and appreciation in life from a scientific perspective.\nhttps://www.facebook.com/mireierim/ \nSteve Beresford\nSteve Beresford has been a central figure in the British and international spontaneous music scenes for over forty years\, freely improvising on the piano\, electronics\, and other things with people like Derek Bailey\, Evan Parker\, Han Bennink\, John Zorn\, and Alterations (with David Toop\, Terry Day and Peter Cusack). He has written songs\, written for large and small ensembles\, and scored short films\, feature films\, TV shows\, and commercials. He was part of the editorial teams of Musics and Collusion magazines\, writes about music in various contexts\, and was a senior lecturer in music at the University of Westminster. With Blanca Regina\, he is part of Unpredictable Series\, which produces events and sound and video recordings of experimental music and art. Steve has worked with Christian Marclay on numerous Marclay mixed media pieces. He has also worked with The Slits\, Najma Akhtar\, Stewart Lee\, Ivor Cutler\, Prince Far-I\, Alan Hacker\, Tania Chen\, Ray Davies\, Mandhira De Saram\, The Flying Lizards\, Zeena Parkins\, The Portsmouth Sinfonia\, Ilan Volkov\, Rachel Musson\, Vic Reeves\, Lore Lixenberg and many others. Beresford has an extensive discography as performer\, arranger\, free-improviser\, composer and producer\, and was awarded a Paul Hamlyn award for composers in 2012. In 2021\, Bloomsbury published a book by Andy Hamilton: ‘Pianos\, Toys\, Music and Noise: Conversations with Steve Beresford’.\nhttp://www.efi.group.shef.ac.uk/mberes.html \nGeorgina Brett\nGeorgina (BMus MA in Electro-acoustic music)\, focuses mainly on vocal compositions in ambient\, minimalist and electro-acoustic styles. Currently absorbed in all things spatial\, she has had 6 pieces performed on ambisonic rigs to date\, including a week long residency at Stonenest\, London learning how to use 4DSOUND immersive rig. Currently transferring her live vocal-looping techniques to computer based ambisonic 3D spatializations. Performing in USA\, France\, Italy\, Germany and Spain\, Geogina has worked with artists including: Eatstatic\, Youth and Alabama 3. She has also recently begun performing using her own poetry. She runs Tuesdays Post : Live Progressive Ambient\, a series of concerts in London.\nwww.georginabrett.co.uk \nDouglas Benford\nAs a composer and sound artist\, Douglas Benford has been involved in various audio genres since the late 1980s\, performing at many institutions/venues in the UK (Bristol’s Arnolfini\, London’s Science Museum\, Tate Modern\, The Roundhouse\, ICA and Glasgow’s CCA)\, festivals worldwide and had installation work in numerous UK art spaces. He is a regular contributor to the London Improvisers Orchestra\, as well as playing with Confront Recordings’ The Seen collective. His collaborators in recent years have included Blanca Regina\, Adam Bohman\, Angharad Davies\, Dominic Lash\, Chris Hill\, Martin Vishnick\, Verity Lane\, Crystabel Riley\, poet Tamar Yoseloff\, Olivia Moore\, Matt Atkins\, Lina Lapelyte\, Jem Finer\, Clive Bell\, John Edwards\, Jennifer Allum\, Sue Lynch\, sculptor Rob Olins and many more.\nhttps://dbenford.bandcamp.com/music \nMartin Hackett\nMartin Hackett\, a member of Oxford Improvisers and the Muzzix collective in Lille\, France\, has been playing improvised music of one sort or another for as long as he can remember.\nhttps://on.soundcloud.com/DdXcodxALuihBJVN9 \nDavid Grundy\nDavid Grundy is a poet and scholar based in London. He is the author of Present Continuous (Pamenar Press)\, and A Black Arts Poetry Machine: Amiri Baraka and the Umbra Poets (Bloomsbury  Academic) and co-editor\, with Lauri Scheyer\, of Selected Poems of Calvin C. Hernton (Wesleyan University Press). He co-runs the small press MATERIALS/MATERIALIEN.\nhttps://www.pamenarpress.com/product-page/david-grundy-l-present-continuous
URL:https://www.georginabrett.co.uk/calendar/multiple-melodicas/
LOCATION:Hundred Years Gallery\, 13 pearson st.\, E2 8 London\, United Kingdom\, London\, London\, E2 8JD\, United Kingdom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240126T200000
DTEND;TZID=Europe/London:20240126T234500
DTSTAMP:20260502T090156
CREATED:20240120T174353Z
LAST-MODIFIED:20240120T174353Z
UID:1704-1706299200-1706312700@www.georginabrett.co.uk
SUMMARY:Listening Together
DESCRIPTION:Really honoured to have my piece “FocuSing” exhibited over the Amoenus Soundsystem in its’ new home at Hackney Baths. \nIt’s going to be an amazing night full of dedicated surround sound compositions to delight the positional ear\, also on the bill: \nMark Slee\, Avasluta\, Edward Griffiths\, Eszter Andrea Kerecsen\, Christian Duka. \n  \n 
URL:https://www.georginabrett.co.uk/calendar/listening-together/
LOCATION:The Bath House\, The Bath House\, 80 Eastway\,\, London\, Select a region\, E9 5JH\, United Kingdom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240124T200000
DTEND;TZID=Europe/London:20240124T230000
DTSTAMP:20260502T090156
CREATED:20231114T000102Z
LAST-MODIFIED:20231114T000102Z
UID:1609-1706126400-1706137200@www.georginabrett.co.uk
SUMMARY:Heart of Noise
DESCRIPTION:Cambridge welcomes it’s very own experimental music event series : \nHeart of Noise! \nJoin us for varied and immersive performances from abrasive to celestial beauty in this debut event featuring: \nKumo (Jono Podmore)\, Georgina Brett and Elif Yalvac. \nJono Podmore aka Kumo\n\n…is Professor of the Practice of Popular Music at the prestigious Hochschule für Musik in Cologne\, Germany. He has been no slouch with his own musical projects\, working under his Kumo alias across multiple releases\, live performances and DJ sets worldwide; collaborating with artists as diverse as Can\, The Shamen\, Jamiroquai\, Metamono\, Swantje Lichtenstein and Jhelisa Anderson. The lyrical strains of Podmore’s theremin; his work with writers\, visual artists and in the film industry\, all continue to push boundaries. \nHe’s a regular contributor to music and culture magazines incl. The Quietus\, co-wrote and edited the book Jaki Liebezeit (2020) about the master drummer\, and co-hosts Talk to the Chip\, a podcast and monthly radio show on Resonance FM. \nJono hails from Liverpool and lives with his synths in SE London where he teaches Tai Chi. He is currently writing a major book about drugs and the music industry\, and developing a feature film based on Byron’s epic poem The Giaour. \nElif Yalvaç \nBorn and raised in Turkey\, Elif Yalvaç creates music using an array of instruments including guitars\, synthesizers\, field recordings\, and Game Boy. Her music has received international acclaim including reviews in The Guardian\, Electronic Sound\, and The Wire\, alongside international live appearances and broadcasts including BBC Radio 6 and Radio 3. Her works embrace opposites: microsound glitches and slow builds; celestial beauty and abrasive energy. \nAlongside her solo projects\, she collaborates with others extensively\, including experimental rock project Diaries of Destruction (March 2022) and her album Green Drift with Expert Sleepers (September 2022). Her most recent work My Heart of Noise (Möller Records – April 2023) is a collaboration with 9 artists from Nordic countries. She holds an MA degree in Sonic Arts from Istanbul Technical University and regularly delivers workshops and podcasts on electronic music. \nEndorsed by Arts Council England\, Elif is based in the UK with a Global Talent Visa. In addition to composition\, performance\, and production\, she teaches electronic music at Guildhall School of Music & Drama (GSMD) in London. Elif is a member of RMA’s Music and/as Process committee. She also delivers guitar lessons in local community organisations. \n“Turkish composer Elif Yalvaç releases a deeply atmospheric collection of ambient\, transportive compositions on Mountains Become Stepping Stones”\nThe Guardian  \nGeorgina Brett \nGeorgina Brett is a composer and event organiser. After studying an MA in Electroacoustic composition under Jonty Harrison she went on to produce cd’s of binaural recordings from eco-festivals. \nIn 2003 she began making vocal live-looping collages/improvisations/compositions and has composed many albums exploring a range of ideas and musical challenges for mono-choir. She began Tuesdays Post : Live Progressive Ambient in 2012 to promote artists creating music on the cusp of electro-acoustic and ambient styles. Having gained a fascination for surround sound spatial music at undergraduate level she has curated a number of multispeaker concerts in London over the years. She has performed numerous times in the UK as well as touring to USA\, Canada\, France\, Germany\, Spain and Italy. \n 
URL:https://www.georginabrett.co.uk/calendar/heart-of-noise/
LOCATION:J3 Cambridge junction\, Clifton Way\,\, Cambridge\, Cambridgeshire\, CB1 7GX\, United Kingdom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20231125T140000
DTEND;TZID=Europe/London:20231125T160000
DTSTAMP:20260502T090156
CREATED:20231113T233926Z
LAST-MODIFIED:20231113T233926Z
UID:1604-1700920800-1700928000@www.georginabrett.co.uk
SUMMARY:Sheila Moylan Exhibition Performance
DESCRIPTION:IRISH ARTIST SHEILA MOYLAN PRESENTS HER FIRST SOLO EXHIBITION\, FIRE IN THE HEAD \nIrish artist\, harpist\, and singer Sheila Moylan will present her first solo exhibition at SET Ealing’s gallery space this November\, marking a significant milestone since becoming a full-time artist three years ago. \nA long-term studio holder at SET\, Moylan’s art seamlessly weaves in and reinterprets the spiral\, lozenge and circle designs inherent in Irish megalithic art\, which dates back to 3\,000 BCE\, drawing upon its myths and poetry. Her figures\, crafted from wire\, charcoal\, pencil\, and ink\, transport us to a long lost world\, populated with shape-shifters\, gods\, goddesses\, and time travellers. \nMoylan’s work represents a collaboration with the megalithic artists of 5\,000 years ago\, following the fine thread of myth that links us to their legacy. The exhibition’s title is drawn from the line “I am the God who puts fire in the head\,” originates from the oldest poem in the Irish language. The faded marks on ancient stones are brought to life through graphic art informed by Moylan’s research into the ancient art’s design principles. Beyond her visual art\, Sheila is a composer and performer of her own music. For this exhibition\, she’ll collaborate with musicians who have drawn inspiration from the exhibition’s themes to create a series of one-off live musical compositions. \nSheila Moylan writes:\, “For me\, this represents the culmination of years of unwavering dedication and scholarly pursuit. The ancient monuments of my native Ireland\, exemplified by sites like Newgrange\, have consistently inspired subsequent generations to reinterpret and superimpose their own ideas and beliefs upon them\, given that the culture that erected them lacked a written language. This absence grants artists the unique opportunity to fill the voids left by archaeology\, reaching into the past and grasping the thread of myth to breathe life into the stones\, illuminating our innate need to connect with history.” \nPerformances: Saturday 25 November 4-6 PM featuring experimental musicians Flooded Access and \nGeorgina Brett
URL:https://www.georginabrett.co.uk/calendar/sheila-moylan-exhibition-performance/
LOCATION:SET Ealing\, 105-113\, St James House\, Broadway\,\, London\, GLR\, W13 9BE\, United Kingdom
ORGANIZER;CN="SET Ealing":MAILTO:info@sheilamoylanart.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230617T193000
DTEND;TZID=Europe/London:20230617T230000
DTSTAMP:20260502T090156
CREATED:20230610T130446Z
LAST-MODIFIED:20230610T130446Z
UID:1511-1687030200-1687042800@www.georginabrett.co.uk
SUMMARY:Ealing Extranormal
DESCRIPTION:A monthly showcase for sonically adventurous experimentation in West London in association with OPEN Ealing.\nAdvance tickets £12*\n£15 on the door.\n*We have a number of free guest passes for those unable to pay the price of admission. Please contact the organisers directly through this page\, one per applicant.\nThere is no bar\, so please bring your own refreshments.\nThis edition features sets from:\nJohn Macedo\nAn artist and performer from London. His work explores connections\, relationships and interdependence through revealing the hidden potential in all sounds\, environments and technologies\, often in intimate\, immersive and interactive ways.\nHe performs solo and has collaborated in an improvisational and recording context with a wide variety of musicians and artists. He has had recorded works released by The Tapeworm\, Hideous Replica\, Sound Holes\, and Beartown Records as well as releasing small run and object editions on his own label\, The Black Plume Editions. He has performed and presented work in the UK\, Europe and US and has led workshops and produced collaborative\, educational and community-based projects for Whitechapel Gallery\, South London Gallery\, Artsadmin and New Contemporaries.\nhttp://johnmacedo.co.uk/\nLeon Michener\nLondon-born pianist and composer. His unique approach to music encompasses art\, video and electronics and seeks to push beyond the boundaries of what is technically and sonically possible on the traditional piano. His Klavikon project reimagines electronic music without the use of conventional processes – no loops\, no prerecorded music\, and no samples. Instead\, all sounds\, kicks\, snares\, bass and pads are created by preparing an amplified piano\, an “acoustic workstation”\, sequenced only by fingers\, allowing human vagaries to triumph over quantised accuracy. Unique inventions and found objects – a custom-made pickup\, a robot toy dog\, vibrators\, and lots of Blu-tak\, augment the 88 keys delivering cascading batteries of percussion\, sub-basses and dark abstract soundscapes. This amalgam of virtuosic piano technique and real-time electronic processing is at once connected with dance genres and 20th-century classical music.\nhttps://www.instagram.com/leon.michener.klavikon/\nGeorgina Brett\nGeorgina Brett’s music is created using her voice and effects pedals\, creating instant choirs of sound\, often in an hypnotic style. The point of this music is not only to captivate with extraordinary timing and melodic style but also to help the listener to relax\, in our ever-increasingly distracted world. Her double album “Nonsense A and Nonsense B” is of purely vocal works with no ‘deliberate’ words or lyrics. The albums show the voice as an instrument\, and as a vehicle for emotional expression. “So much music is made in order to make us feel something so as to manipulate us to buy or to follow… this album lets your thoughts be whatever they want to be.” The albums also play with the idea that we like to interpret\, constantly listening for meaning instead of just listening.\nhttps://www.georginabrett.co.uk\nN/O/E/W/A\nI am a quiet noisemaker\, soundsculptor\, free form improviser\, exploring noise and silence\, synthetic and natural sounds\, and everything in between\, using electronic and analogue instruments\, objects\, found sounds and human voice. my name’s Levente Dudas\, and I am the creative power behind the musical project called N/O/E/W/A.\nhttp://noewacreativemusic.co.uk/\nCOVID SAFETY\nPlease be considerate of others who may be more concerned than you regarding social distancing etc. Some participants are at increased risk from Covid\, so face masks are encouraged and if you are unwell on the day\, rather than struggling to attend please contact the organisers for a replacement ticket for a future date.\nCurated by Martin Lau www.martinlau.net\nPresented by OPEN Ealing www.openealing.com
URL:https://www.georginabrett.co.uk/calendar/ealing-extranormal-2/
LOCATION:Open Ealing\, Open Ealing Arts Centre\, Unit 14\, School Lane\, Dickens Yard\, London\,\, Open Ealing Arts Centre\,Unit 14\, School Lane\, Dickens Yard\,\, London\, W5 2TD
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230604T140000
DTEND;TZID=Europe/London:20230604T163000
DTSTAMP:20260502T090156
CREATED:20230519T133528Z
LAST-MODIFIED:20230610T133550Z
UID:1516-1685887200-1685896200@www.georginabrett.co.uk
SUMMARY:MATINEE:MULTIPLE MELODICAS
DESCRIPTION:MATINEE:MULTIPLE MELODICAS + STEVE BERESFORD (SOLO) + TANSY SPINKS / DAVID GRUNDY (DUO)\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImprovised music for multiple melodicas\, played by Steve Beresford\, Georgina Brett\, Douglas Benford\, David Grundy\, and Martin Hackett\, along with a solo piano set by Steve Beresford and a duo performance by Tansy Spinks (violin) and David Grundy (piano). \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDOUGLAS BENFORD\nAs a composer and sound artist\, Douglas Benford has been involved in various audio genres since the late 1980s\, performing at many institutions/venues in the UK (Bristol’s Arnolfini\, London’s Science Museum\, Tate Modern\, The Roundhouse\, ICA and Glasgow’s CCA)\, festivals worldwide and had installation work in numerous UK art spaces. He is a regular contributor to the London Improvisers Orchestra\, as well as playing with Confront Recordings’ The Seen collective. His collaborators in recent years have included Blanca Regina\, Dominic Lash\, Martin Vishnick\, Crystabel Riley\, poet Tamar Yoseloff\, Olivia Moore\, Matt Atkins\, Lina Lapelyte\, Jem Finer\, Clive Bell\, John Edwards\, Jennifer Allum\, Sue Lynch\, sculptor Rob Olins and many more. \ndouglasbenford.org.uk \n\n\nSTEVE BERESFORD\nSteve Beresford has been a central figure in the British and international spontaneous music scenes for over forty years\, freely improvising on the piano\, electronics\, and other things with people like Derek Bailey\, Evan Parker\, Han Bennink\, John Zorn\, and Alterations (with David Toop\, Terry Day and Peter Cusack). \nHe has written songs\, written for large and small ensembles\, and scored short films\, feature films\, TV shows\, and commercials. He was part of the editorial teams of Musics and Collusion magazines\, writes about music in various contexts\, and was a senior lecturer in music at the University of Westminster. With Blanca Regina\, he is part of Unpredictable Series\, which produces events and sound and video recordings of experimental music and art. \nSteve has worked with Christian Marclay on numerous Marclay mixed media pieces. He has also worked with The Slits\, Najma Akhtar\, Stewart Lee\, Ivor Cutler\, Prince Far-I\, Alan Hacker\, Tania Chen\, Ray Davies\, Mandhira De Saram\, The Flying Lizards\, Zeena Parkins\, The Portsmouth Sinfonia\, Ilan Volkov\, Rachel Musson\, Vic Reeves\, Lore Lixenberg and many others. \nBeresford has an extensive discography as performer\, arranger\, free-improviser\, composer and producer\, and was awarded a Paul Hamlyn award for composers in 2012. In 2021\, Bloomsbury published a book by Andy Hamilton: ‘Pianos\, Toys\, Music and Noise: Conversations with Steve Beresford’. \nhttp://www.efi.group.shef.ac.uk/mberes.html \n\n\n\n\n\nGEORGINA BRETT\nGeorgina (BMus MA in Electro-acoustic music)\, focuses mainly on vocal compositions in ambient\, minimalist and electro-acoustic styles. Currently absorbed in all things spatial\, she has had 6 pieces performed on ambisonic rigs to date\, including a week long residency at Stonenest\, London learning how to use 4DSOUND immersive rig. Currently transferring her live vocal-looping techniques to computer based ambisonic 3D spatializations. Performing in USA\, France\, Italy\, Germany and Spain\, Geogina has worked with artists including: Eatstatic\, Youth and Alabama 3. She has also recently begun performing using her own poetry. She runs Tuesdays Post : Live Progressive Ambient\, a series of concerts in London.\nwww.georginabrett.co.uk \n\n\nDAVID GRUNDY\nDavid Grundy is a poet\, writer and improviser based in Lewisham. He’s been involved in improvisers collectives in Oxford\, Bristol\, Cheltenham\, and Cambridge\, and in Eddie Prévost’s London Improvisation Workshop. \n\n\nMARTIN HACKETT\nMartin Hackett\, a member of Oxford Improvisers and the Muzzix collective in Lille\, France\, has been playing improvised music of one sort or another for as long as he can remember. \n\n\nTANSY SPINKS\nTansy Spinks is an artist\, sound artist\, and performer. A Senior Lecturer in Fine Art at Middlesex University\, she has exhibited widely both at home and abroad. She lives and works in London.
URL:https://www.georginabrett.co.uk/calendar/matineemultiple-melodicas/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230530T193000
DTEND;TZID=Europe/London:20230530T233000
DTSTAMP:20260502T090156
CREATED:20230415T170958Z
LAST-MODIFIED:20230730T142636Z
UID:1473-1685475000-1685489400@www.georginabrett.co.uk
SUMMARY:Tuesdays Post at Iklectik Ambisonic Venue\, Series 4:3
DESCRIPTION:30th May 2023. ambisonic sets by : Gabriel Prokofiev\, Simon Fisher Turner\, Kogg and Georgina Brett \nLink to event website: \nhttps://iklectikartlab.com/tuesdays-post-live-progressive-ambient-3/ \nLink to the facebook invite: \nhttps://www.facebook.com/events/684652266748070/ \n 
URL:https://www.georginabrett.co.uk/calendar/tuesdays-post-live-progressive-ambient/
LOCATION:Iklectik\, Old Paradise Yard\, 20 Carlisle Lane\,\, London\, SE1 7LG\, United Kingdom
CATEGORIES:Gigs,Tuesday's Post
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230527T170000
DTEND;TZID=Europe/London:20230527T230000
DTSTAMP:20260502T090156
CREATED:20230503T134316Z
LAST-MODIFIED:20230610T134333Z
UID:1518-1685206800-1685228400@www.georginabrett.co.uk
SUMMARY:M. O. B. Ethereal Plane
DESCRIPTION:I’ll be performing an hour live set between 5.45 – 6.45 using harmony from Arvo Pärt – Fratres and my own poetry. \nM.O.B Ethereal Plane – Part 1 It is a plane out of phase. It is right next to you\, yet you don’t see it. It is time we reconvene for another gathering and we are incredibly excited for this next one – the first one of the year and the beginning of a new cycle. ~_~ Our ethereal plane will convene at a historical\, spiritual location that has been erected since the 16th century – The Old Church in Stoke Newington Church Street. M.O.B is exploring the ethereal quality of electronic music\, bringing a selection of live performers and artists to elevate the minds. \nGeorgina Brett (Live set and vocals) \nLuca Schiavoni (DJ set) Patricia Doors (Live set) \nChronic Illness (Performance) \nNet/ure (Interactive Sound Installation by Ab Ru) \nVisuals by: Max Burstyn and Ab Ru Contact the M.O.B page on Instagram for details about Part 2… @mobmusicldn
URL:https://www.georginabrett.co.uk/calendar/m-o-b-ethereal-plane/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230519T193000
DTEND;TZID=Europe/London:20230519T230000
DTSTAMP:20260502T090156
CREATED:20230510T133248Z
LAST-MODIFIED:20230610T133258Z
UID:1513-1684524600-1684537200@www.georginabrett.co.uk
SUMMARY:4DSOUND Workshop Showcase
DESCRIPTION:On Friday the 19th of May\, participants of the week-long course Exploring Spatial Sound: A week of learning and creating in a 4DSOUND system will present their works-in-progress. \nParticipants:\nHolly Austin\, Anni Nöps\, Samuel Narvaez\, Ernesto Bellicini\, Sadah Espii Proctor\, Xiaowan Yi\, Christian Groothuizen \, Rob Parton\, Francesco Bentivegna\, Russell Gendron\, Danny Trachtenberg\, Nina Corti\, Malou van der Veld\, Bilge Nur Yilmaz\, Evan Ifekoya\, Ben Koppelman\, Mauricio Silva Orendain\, Tanya Louise Workman\, Agustín Martínez\, Georgina Brett \nSeating is unreserved. There will be a mixture of seating\, cushions and standing room available – please contact us if you have any specific requirements.
URL:https://www.georginabrett.co.uk/calendar/4dsound-workshop-showcase/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230324T180000
DTEND;TZID=Europe/London:20230324T233000
DTSTAMP:20260502T090156
CREATED:20230212T180911Z
LAST-MODIFIED:20230212T180911Z
UID:1447-1679680800-1679700600@www.georginabrett.co.uk
SUMMARY:Sound II Light Spatial Sound Event
DESCRIPTION:Looking froward to this.. A 10 minute ambisonic piece of mine will be included in the programme and i will be talking in a panel about spatialization in research music and the use of ambisonic programmes.
URL:https://www.georginabrett.co.uk/calendar/sound-ii-light-spatial-sound-event/
LOCATION:Patchworks\, 258\, Church Rd\,\, London\, GLR\, E10 7JQ\, United Kingdom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230302T200000
DTEND;TZID=Europe/London:20230302T230000
DTSTAMP:20260502T090156
CREATED:20230212T175622Z
LAST-MODIFIED:20230212T175653Z
UID:1442-1677787200-1677798000@www.georginabrett.co.uk
SUMMARY:Live Improv Georgina Brett & Elif Yalvaç
DESCRIPTION:Come see me duet with Elif Yalvaç on Thursday 2nd March. I’ll be playing oboe and toy instruments
URL:https://www.georginabrett.co.uk/calendar/live-improv-georgina-brett-elif-yalvac/
LOCATION:The Royal Albert\, 460 New Cross Rd\, London\, GLR\, SE14 6TJ\, United Kingdom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230207T200000
DTEND;TZID=Europe/London:20230207T223000
DTSTAMP:20260502T090156
CREATED:20221227T185727Z
LAST-MODIFIED:20230730T142610Z
UID:1427-1675800000-1675809000@www.georginabrett.co.uk
SUMMARY:Tuesdays Post at Iklectik Ambisonic Venue\, Series 4:2
DESCRIPTION:IKLECTIK presents\, \nTuesdays Post : Live Progressive Ambient \nTuesday 7 February 2023 | Doors: 7:30pm | First Act: 8pm\nOur outdoor Kiosk opens 1 hour before the event. \nTickets: £13.50 Advance / £15 OTD https://link.dice.fm/K1eff7a386d2 \nTuesdays Post hosts 4 performances\, all delivering immersive\, original\, dynamic ambisonic musical experiences in the unique space that is IKLECTIK. \nProgramme:\nPop-Up Kings\nGreg Sams & Georgina Brett\nGareth Whittock\nGabriel Prokofiev \n\nGabriel Prokofiev \n\nComposing music that both embraces and challenges western classical traditions\, Gabriel Prokofiev has emerged as a significant voice in new approaches to classical music at the beginning of the 21st century. After completing his musical studies at Birmingham and York Universities\, and dissatisfied with the seemingly insular world of contemporary classical music\, he developed a parallel music career as a dance\, grime\, electro and hip-hop producer. This background in dance music combined with his classical roots gives his music a unique and truly contemporary sound. Gabriel is also an events curator\, producer and founder of the Nonclassical record label.\nhttps://www.gabrielprokofiev.com/\nhttps://gabrielprokofiev.bandcamp.com/\nhttp://finalnotemagazine.com/articles/gabriel-prokofiev/ \nGareth Whittock \n\nGareth lectured at the Conservatoire of Wales\, Swansea Metropolitan University and DBS college (BA in Live Sound course). He now designs and builds musical instruments and effects pedals. His Aum Guitars’ Vibraslide system has been nominated for Product of the Year 2022 in the ‘Guitar Technology Product’ category. His own musical output employs his original instruments and inventions combined with Max8 for processing. He is particularly interested in harnessing real or imagined natural forces in the production of spacial music and has built a number of devices using ambient sensors and aeolian harps.\nhttp://aumguitars.co.uk/\nhttps://garethwhittock.bandcamp.com/track/the-long-road\nhttps://www.soundonsound.com/reviews/aum-guitar\nhttps://www.instagram.com/aumguitars/ \nGreg Sams \n\nGreg Sams is a change agent. Introduced Britain to natural/organic foods in 1960’s. Created original VegeBurger 1982. Left food for fractals in 1990 with chaos theory shop Strange Attractions\, posters\, clothes +. Writes first book on self-organising power of freedom and why top-down states fail us. Next book introduces us to the living cosmos.\nhttps://www.gregorysams.com/ \nGeorgina Brett \nPhoto by Phil Clevenger\nGeorgina Brett began Tuesdays Post : Live Progressive Ambient to promote artists who work with outboard equipment to create music on the cusp of electro-acoustic and ambient styles. She has post-graduate in Electro-acoustic music and fascination for surround sound spacial music.\nhttps://www.georginabrett.co.uk/\nhttps://cdm.link/2013/07/hear-the-gorgeous-ethereal-vocal-music-of-georgina-brett-and-more-live-looping/ https://georginabrett.bandcamp.com/ \nPop-Up Kings \nCredit: Wellcome Library\, London. Wellcome Images\nPop-Up Kings is the solo project of writer\, psychologist and broadcaster Charles Fernyhough. A recent collaborator with Darkroom and Improvizone\, he has written about the science of ambient music in Aeon and elsewhere. Pop-Up Kings released their first album\, The Start Of It All\, in December 2022. Expect synth textures with laptop disruptions\, degraded loops and layered guitar.\nwww.charlesfernyhough.com/music\nhttps://popupkings.bandcamp.com/album/the-start-of-it-all-2\nhttps://www.theguardian.com/profile/charles-fernyhough\nhttps://charlesfernyhoughcom.wordpress.com/music/ \n\n“Sound system powered by AMOENUS. AMOENUS is an art organisation that facilitates\, educates\, curates and promotes immersive art centred around 3D sound”.\nhttps://amoenus.co.uk
URL:https://www.georginabrett.co.uk/calendar/tuesdays-post-at-iklectik/
LOCATION:Iklectik\, Old Paradise Yard\, 20 Carlisle Lane\,\, London\, SE1 7LG\, United Kingdom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20221007T150000
DTEND;TZID=Europe/London:20221007T160000
DTSTAMP:20260502T090156
CREATED:20221227T190818Z
LAST-MODIFIED:20221227T190818Z
UID:1430-1665154800-1665158400@www.georginabrett.co.uk
SUMMARY:Space Mountain Festival October
DESCRIPTION:
URL:https://www.georginabrett.co.uk/calendar/space-mountain-festival-october/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220920T200000
DTEND;TZID=Europe/London:20220920T230000
DTSTAMP:20260502T090156
CREATED:20220710T182314Z
LAST-MODIFIED:20230730T142539Z
UID:1414-1663704000-1663714800@www.georginabrett.co.uk
SUMMARY:Tuesdays Post at Iklectik Ambisonic Venue\, Series 4:1
DESCRIPTION:https://iklectikartlab.com/tuesdays-post-live-progressive-ambient/ \nReally excited about Tuesdays Post Relaunch at Iklectik on Tuesday 20th September. do hope you can make it along.. it’s the perfect mix of unique venue and Ambisonic sound rig and a potent mix of 5 great sets from some great artists.
URL:https://www.georginabrett.co.uk/calendar/tuesdays-post-relaunch-at-iklectik-ambisonic-venue/
LOCATION:Iklectik\, Old Paradise Yard\, 20 Carlisle Lane\,\, London\, SE1 7LG\, United Kingdom
CATEGORIES:Gigs,Tuesday's Post
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220917T193000
DTEND;TZID=Europe/London:20220917T230000
DTSTAMP:20260502T090156
CREATED:20220804T102038Z
LAST-MODIFIED:20220910T193236Z
UID:1388-1663443000-1663455600@www.georginabrett.co.uk
SUMMARY:Ealing Extranormal
DESCRIPTION:A monthly showcase for sonically adventurous experimentation in West London in association with OPEN Ealing.\nAdvance tickets £10*\n£15/£10 concs. on the door.\n*We have a number of free guest passes for those unable to pay the price of admission. Please contact the organisers directly through this page\, one per applicant.\nThere is no bar\, so please bring your own refreshments.\nThis edition features sets from:\nTarik Haskić\nCurrently based in Slovenia\, Tarik’s artistic practice includes free improvisation\, performance art\, experimental music and installation work. He is interested in the creation of listening spaces in which the exploration of inner and outer environments can occur. Focusing on the creative process\, presence and the relationship of sound and people play an important role in his work.\nTarik often performs with self made music instruments made from recycled material\, modular synths and field recordings. He has performed extensively both solo and in collaborative ensembles such as Listening Circuits\, Tzika and Apocalypse Jazz Unit. His work has been performed in Iklectik and Hundred Years Gallery in London\, Oooh Festival in Italy and ZEZ in Croatia.\nIn celebration of Ealing Extranormal Vol.9\, Tarik will perform a new participatory piece for modular synth\, field recordings and humming voice called “Hum a Tide”. The piece will follow a text-based score and will involve (voluntary) audience participation.\nhttps://listeningcircuits.bandcamp.com/\nSwilly\nSwilly is either off-kilter guitar accompanied ranting half-songs covering various obsessions and concerns of its sole member\, or loops of noise\, soundscapes and rhythm with more ranting. For tonight he will be in more soundscape-y territory and has been challenged to lay off the HARSH pedal as a get out of no-ideas jail card.\nhttps://swil-e.bandcamp.com\nGeorgina Brett\nGeorgina Brett’s music is created using her voice and effects pedals\, creating instant choirs of sound\, often in an hypnotic style. The point of this music is not only to captivate with extraordinary timing and melodic style but also to help the listener to relax\, in our ever-increasingly distracted world. Her double album Nonsense A and Nonsense B is of purely vocal works with no ‘deliberate’ words or lyrics. The albums show the voice as an instrument\, and as a vehicle for emotional expression. “So much music is made in order to make us feel something so as to manipulate us to buy or to follow.. this album let’s your thoughts be whatever they want to be.” The albums also play with the idea that we like to interpret\, constantly listening for meaning instead of just listening.\nhttps://www.georginabrett.co.uk\nBlack Arrows\nBlack Arrows is multidisciplinary artist Alice Karveli\, tearing rips through the fabric of Spacetime with sonic implements\, sometimes gently\, sometimes harshly\, at times solo and others collaboratively.\nhttps://blackarrows.bandcamp.com/\nCOVID SAFETY\nThe venue has ventilation drawn from the air outside. Please be considerate of others who may be more concerned than you regarding social distancing etc. Some participants are at increased risk from Covid\, so please wear a face mask.\nCurated by Martin Lau www.martinlau.net\nPresented by OPEN Ealing www.openealing.com
URL:https://www.georginabrett.co.uk/calendar/ealing-extranormal/
LOCATION:Open Ealing\, Open Ealing Arts Centre\, Unit 14\, School Lane\, Dickens Yard\, London\,\, Open Ealing Arts Centre\,Unit 14\, School Lane\, Dickens Yard\,\, London\, W5 2TD
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220514T150000
DTEND;TZID=Europe/London:20220514T150000
DTSTAMP:20260502T090156
CREATED:20220204T110430Z
LAST-MODIFIED:20220804T101924Z
UID:1379-1652540400-1652540400@www.georginabrett.co.uk
SUMMARY:Space Mountain Festival
DESCRIPTION:
URL:https://www.georginabrett.co.uk/calendar/space-mountain-festival/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220409T073000
DTEND;TZID=Europe/London:20220409T203000
DTSTAMP:20260502T090156
CREATED:20220304T111514Z
LAST-MODIFIED:20220804T101531Z
UID:1382-1649489400-1649536200@www.georginabrett.co.uk
SUMMARY:A Spaceship for the Imagination - Paul Friedlander
DESCRIPTION:A Talk: Art and Science in Time and Beyond\n\n\nWe will be hosting an interesting evening of a discussion conception by D. G. Perendia with our artist of this month Paul Friedlander. \nThey will be looking at the relationship of art and how it may affect and inspire science rather than the other way round. \nThere will be a presentation and discussion on time and entropy models in science and a manifesto followed by a Q&A. \nThe evening will be punctuated by music performed by Georgina Brett\, Cynthia Lucci and Ron Briefel
URL:https://www.georginabrett.co.uk/calendar/a-spaceship-for-the-imagination-paul-friedlander/
LOCATION:Bookery Gallerie\, 20\, Church Street\,\, London\, NW8 8EP
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200621T043000
DTEND;TZID=Europe/London:20200622T010000
DTSTAMP:20260502T090156
CREATED:20200621T144341Z
LAST-MODIFIED:20200621T144654Z
UID:1320-1592713800-1592787600@www.georginabrett.co.uk
SUMMARY:Oscillations Festival hosted by Iklectik
DESCRIPTION:I am on at 4.40pm BST for 20 minutes. 🙂 \n  \nIKLECTIK [off-site] presents\, \nOsCiLlaTioNs\n20 hours non-stop Summer Solstice Music Festival \nThis event is part of #SaveOurVenues crowdfunding campaign.\nIf you want to donate\, please visit https://www.crowdfunder.co.uk/saveiklectik \nFrom Sun 21 June 4.43am (sunrise) to Mon 22 June 00:43am. \nOn IKLECTIK YouTube channel: https://youtu.be/joHGWoT-pG8\nOn IKLECTIK Twitch channel: https://www.twitch.tv/iklectik\nOn IKLECTIK Facebook page: https://www.facebook.com/IKLECTIK/ \nIn 2015 IKLECTIK and The Horse Improvised Music Club organised the first Oscillations edition\, a music marathon to celebrate the summer solstice. It was a memorable day: over 18 hours of non-stop music with the participation of more than 60 musicians. Before the virus outbreak we planned to repeat the event but for obvious reasons we will not be able to do so in our venue\, therefore\, we have decided to do it online!The purpose of this event is to raise some funds to keep IKLECTIK alive but also to bring us all together against these difficult times. \nMusicians: \n04:43 Birds\, leaves\, sun rays\, water.\n05:20 Sue Lynch\n05:40 Caroline Kraabel\n06:00 bkeepr1\n06:20 Lydia Musonic\n06:40 Special Guest\n07:00 Daniel Thompson\n07:20 Adam Bohman\n07:40 Roger Harmar\n08:00 Jenn Kirby\n08:20 Gawain Hewitt\n08:40 Frazer Merrick\n09:00 Craig Scott\n09:20 Adam Kinsey\n09:40 Shona Handley\n10:00 Ferran Besalduch\n10:20 Panos Ghikas\n10:40 Richard Crow\n11:00 Ken Ikeda\n11:20 Catherine Pluygers\n11:40 Anina Hug\n12:00 Lou Barnell\n12:20 Phil Durrant\n12:40 Postcards from the Volcano\n13:00 on&off (Nikolai Kozin and Martin Lau)\n13:20 Tom Faux\n13:40 Jen Haugan\n14:00 Laura Netz\n14:20 Claude Heiland-Allen\n14:40 Caroline Kraabel and John Edwards\n15:00 Adrian Northover – Phil Minton\n15:20 Greta Pistaceci\n15:40 Tom Jackson\n16:00 Paula Garcia Stone\n16:20 Sue Lynch – Hutch Demouilpied – Rosa Lynch\n16:40 Georgina Brett\n17:00 Douglas Benford\n17:20 Benedict Taylor\n17:40 Sylvia Hallett\n18:00 Marcio Mattos- Marilza Gouvea -Thomas Rohrer – Adrian Northover\n18:20 Ellen Southern\n18:40 My Panda Shall Fly (Suren Seneviratne)\n19:00 Kamura Obscura\n19:20 raxil4 (Andrew Page)\n19:40 James L Malone\n20:00 Lucia H Chung\n20:20 YONI SILVER\n20:40 Chromatouch\n21:00 Charmaine Lee\n21:20 Weston Olencki\n21:40 PHILIPPE AUBERT +TANYA ST.PIERRE\n22:00 HARMERGEDDON\n22:20 Rie Nakajima – Keiko Yamamoto\n22:40 YEAH YOU\n23:00 SW1N HUNTER\n23:20 PLASTIGLOMERATE\n23:40 ODIE JI GHAST\n00:00 ERIKA LEAMAN\n00:20 TOPH DJS\n00:40 TOPH DJS \nIn collaboration with The Horse Improvised Music Club\, Hackoustic and TOPH!
URL:https://www.georginabrett.co.uk/calendar/oscillations-festival-hosted-by-iklectik/
LOCATION:Iklecktic\, Old Paradise Yard\, 20\, Carlisle Lane\,\, London\, SE1 7LG\, United Kingdom
END:VEVENT
END:VCALENDAR